BRAIDS AND BEADS

Here's a friendship braid with tiny glass beads made by my friend Q. It arrived just in time for my birthday altho Q doesn't know nor meant it as a birthday present. It was entirely fortuitous.

She has been teaching me braids but not quite succeeding. I dont know why all my friends from M & M to Q produce lovely crafts and I am the odd girl out. I dont have crafters' hands, here is a specimen of my "maiden braid." Some maiden, looks like I have a long way to go.

Here are more lovely braids done by Q

Close up of the braids

Thank you Q ! Take a bow ! You have brightened my dark days, meanwhile I must jia you! jia you! :))

Carnelian and Rock Crystal Necklace

I composed and made this carnelian and rock crystal necklace using button knots. Making this necklace, provided dual benefits, as I could practice tying my knots and completing it means I can wear my favourite beads.

The carnelian cylinders were purchased from a Tibetan lady in China. She couldn't  tell me the exact vintage nor origin.

This shape is sometimes referred to as "bamboo " shape by the Chinese and sometimes "bulging at the waist " shape or "yao-gu-xing". I guess Westerners would say bi-conical. I have seen bamboo-shaped cylinder carnelian beads which have been provenanced to Western Zhou - Warring States (11-3rd century BC) in Chinese books, including Roger Chow's Sparkling Splendours, but I am not saying that my beads are ancient.

Lest I be scoffed at for false/misleading comparisons, I must explain that I am not drawing these comparisons to imply that my cylinders are authentic of the Warring States era. I have not seen many examples of these cylinders in real life, nor in books, (ah, alas the narrowness of my experience) and so it was interesting for me to come across the illustrations given in the Chinese documents. No ulterior motive intended :) Besides there are many other considerations apart from a similar looking shape to justify a bead as old/ancient, let alone belong to the fabulous Warring States era ! And for all I know my beads maybe new beads, new beads made old, old beads made older, antique, vintange, plain replicas, and many other combinations.

My specimen is in good condition and the stone if ancient is still shiny, the bead hole is rather large and the bamboo wedge shape is rounded, not sharp. Roger Chow's sample is sharp and so there's the difference. The walls of the bead are rather thin when compared to the size of the perforation. How did the tubes get so hollowed out ? Is this method of stone bead making peculiar to a period or culture? So the jury is still out on this pair of cylinder beads. And meanwhile they do pique my interest.

The central rock crystal bead is truncated, biconical, and faceted. It came from Myanmar and is likely to be Pyu about 100 BC to 840 AD or later.

RECYCLING JADE 2

"Rather a fragment of jade than
a complete tile of clay...... "

was said by the fool or hero, depends on how you look at it, Jinghao of the Eastern Wei Dynasty.(534–550)

These words cost him his head, but nonetheless immortalized him, as his phrase has been quoted over centuries by outstanding Chinese men and women and all true lovers of jade. Guess I am stretching Jinghao's words a bit, rather a big bit, but it does seem a cool phrase/idiom to start a topic on recycling jade. No doubt Jinghao's words refer to the high moral quality of jade whereas my subject, by comparison is more trivial.

And here to illustrate the enduring beauty of jade, is this tiny jade fragment which has been lovingly recycled with knots, beads, another jade and cord to make a wearable necklace.

jade fragment

fragment recycled into a wearable necklace

RECYCLING JADE 1

The birds in the tree



These miniature jade birds perching on the golden tree, were previously either haipin or button adornments for upper class Qing (1644-1912) ladies.

Thanks, Sit for the drawing of the tree.

Turquoise Turtle

Turtles have such long lives. They reputedly live up to 200years. But still I daresay none can be as old as this turquoise turtle of mine which I bought several years ago in China.

Most Chinese associate turtles with longevity, but if someone (especially the Hokkien clan) calls you Black Turtle Head, it is hardly a compliment. !!

My, turtle measures 4cm. It looks like it is swimming, with the head slightly at an angle and 4 legs sticking out. Its perforated at the tail and in the hole are concentric ring tool marks. There are also many marks on both the back and front of the stone.

Are these tool marks or are the marks natural to the stone ? Are the marks ancient or modern ? Looks like I am posing more questions than describing my piece. !

The stone is also weathered with damage on the back and on one side of the head.Its shell is flat rather than dome shaped and the carapace is etched with a criss cross pattern. OK, the workmanship is not great but the eyes peeping out under the shell, look expressive. And so to the eternal question - can it be a neolithic turtle ?? Sure wish I knew the answer. But meanwhile just enjoy, :))

Hongshan style Cloud Pendant

Here is another Hongshan style pendant which was purchased together with the one in previous post.

I am not normally a collector of replicas, but this one is such an amusing, inventive adaptation of the Hongshan classic Cloud pendant, that I couldnt resist. The original Hongshan cloud pendant is normally represented by an abstract pattern. The forger/reproducer of my piece has copied the original design and added a hole in the upper left and hey presto it is a sweet little deer! This cloud pendant turned deer measures 3.6x1.9cm.

Replica or no, deers, being my best collectible friends, next to birds, bees, fishes, butterflys et al, I was more than happy to get it. Hmmm, it may also be Ming or Qing vintage, like Xuang-Lian-Bi in earlier post. Now if only I could find a good way to string this one up life would be perfect :)

Double Connection Bi

Xuang lian bi is literally translated as Double Connection Bi. It is a shape orginating from the Hongshan Culture about BC.4000–3000 BC.

My miniature double connection bi measuring 2.7cm is made in the Hongshan style. It consists of two bis which are carved from one piece of jade with the bottom bi bigger than the top bi. Genuine double connection bis from the Hongshan culture are generally larger and I am sure mine is a replica. The seller had told me quite deadpan, that "large sized Hongshan pieces can be found anywhere but a small one would be a rare find." He!He! And he expected me to swallow his tall tale!

But inspite of the story which gave me a good laugh, I still bought the piece though not at Hongshan price. After all its quite nicely made, the jade is an attractive pale green, and this delicate piece appeals to me as my normal preference is for small over big. I am also optimistic that it may be made by a Ming miniaturist after my own heart. A final advantage is that I can wear it as a pendant strung up with my personally hand knotted cord.

The shape also resembles the number 8, which for Chinese is considered lucky. So heres to "BA!" (8) aka "FA" (prosperity)

Jade Slit-tube (Jue)

This Slit-tube artefact measuring 2cm long is also a Jue.

According to a Chinese source (Chinese jadeware: picture reference dictionary p.061) slit-tube as well as slit-ring jues were in existence in the Chahai Culture, around 5000BC. However, J Rawson in " Chinese jade: from the Neolith" says that "The earliest jue, which are more like slit-tubes than slit-rings, are found in the north-east in the Xinglongwa (about 5000 BC) and Chahai cultures (about 4500 BC), which preceded the Hongshan (about 3800-2700 BC)"

Although tube-shaped jues are described as probably ear ornaments by both the Chinese source as well as J Rawson I am at a loss to see how this slit-tube can be worn on the ear without falling off. These people from the Neolithic cultures sure have baffling ornaments. !



My specimen is plain with no embellishments and I am thinking that it may belong to some early neolithic culture. Jues (both tube-shaped and planar) from the later Warring states period have elaborate decorations of dragon, bird or cloud patterns on their surfaces.

IMPO a slit-tube (jue) looks more like a bead that has been slit and a better name for it could be "slit-bead (jue)." !

There is much weathering on the slit-tube, see pix below :

"Concentric-ring tool marks" are also present in the crevice of the slit-tube.


Here is another view of the slit-tube:


Looking at the slit-tube from this angle, gives me a wild idea that the tube may be sliced into several segments to form a few flat slit-rings. Now thats another silly thought for me to chew on. Yum! :))

Mystery Guy

He is made of yellow jade showing signs of red suffusion, patinisation and cleaving veins. He has large upslanting pop-out eyes, flat nose and wide mouth. He wears a longish robe with two stumps of feet sticking out

Is he a Man from Shang or a Man from Shu? Or is he a figment of modern fakers skilful invention ? This little fella is perforated from the top of his rather flat head so he is really a bead. He must be Beadman, oops, what am I talking about, of course I mean Jademan !

There are three things that puzzle me about this piece. I find his rather flat and bare head rather strange. Most Chinese archaic jade figurines will have some sort of hat, headwear, braids or something. I think the Chinese consider the head/brains very important. However I have come across a few figurines in books with flat heads so my piece may belong to the minority.

The second thing that puzzles me is the postion of his hands, one in front and one at the back. Most archaic jade figurals that I have come across have both hands in front clasped together as in greeting or resting on the knees. My Jademan

has his right hand resting on his left arm for the front view, while at the back the left hand rests below the waist. He looks like he is in a pose of admiring the moon or composing a poem ? Figments of my own imagination :)) ?

The last puzzle is the back (see pic below) where the head is cut away and looks like the neck of a vase. Indeed the body does look not unlike the rounded part of a vase. However the fingers are carved in detail.

I have strung my Jademan with a string of very old carnelian beads. As I cant accurately pinpoint his years, I shall just say he is Mystery Guy from the Past and treat him like "..my little good luck charm...uh-huh huh, you sweet delight....." :)) He is all of 4.2cm tall.

The rounded carnelian beads have a "C" scroll pattern and maybe five hundred to a thousand years old.

Belt parts

Here are 2 white rectangular pieces I got from my friend, the connoisseur collector. She didnt want them because she thought that they were not collectible enough. Maybe she's right, who'd want these dusty rectangles ? Yeah, but I the gypsy collector just grabbed them ! I am not known as Garang Guni for nothing. Heh! Heh!

Each is pierced with six holes for attachement and the material looks like glass imitating jade but I am not sure. Perhaps it may be calcite.

In the book "Chinese Antique Glass" there are belt sets made up of components such as what I show. These examples appear in p.57, 62, 66. So it would not be too presumptious for me to think that my rectangles had once been used to make up belt sets too. The book gave timelines ranging from Tang to Ming, quite a lengthy and safe timeline, and I hope I will not be censured by glass shifus for following this guideline.

These rectangles are completely plain and unadorned so I am guessing that they maybe "grave goods" or they maybe used by less wealthy folks who could not afford jade.

Here's another belt piece which is also rectangular in shape and smaller than the above pieces. It may have been used as a "filler" or end spacer, examples of which can be seen in "Chinese Antique Glass" p.68. It is pierced on one side with two vertical holes and on the reverse side with two ox-nosed holes and the two sets of holes converge.

Ox-nosed holes

Hmm, I am wondering what manner of stringing or attachement went with such holes ? Unfortunately the long descriptive Chinese text in "Chinese Antique Glass" is beyond my comprehension. Trying to obtain information from Chinese books without knowing the language can be a handicap. It can even be a landmine which I had once upon a time fallen into. For example the author may use a Fake piece to illustrate some point he wishes to bring out, but the reader, who can't read the fine print unwittingly sees it as a real Mccoy. Ha Ha Ha !! Well, I have finally mastered the word for FAKE (FANG)in Chinese and its a word I am not likely to ever forget. Ahhh.. I am just dreaming that in an alternate life, or if there is a third dimension, I can cross over (as in "Hard Boiled Wonderland" ) to be an archaeologist or a Chinese interpreter? :))

3 Faces Bead

This face bead/pendant was first posted on July 20th 2008. https://baiyu-quietmuse.blogspot.com/2008/07/face-bead-3.html

I have only just discovered that this is in fact a 3 faces bead (3 faces of Eve?) After reading Chinese Jades through the Wei Dynasty by Alfred Salmony p.107 and seeing a similar (but not IDENTICAL) piece, I realised that the central human face is sandwiched by 2 tiger heads at each end. Look at the bead vertically and you will see what I mean :

And how foolish of me not to detect it. I had not looked hard enough and had thought the tiger heads were some trellis border (blush !)

There are three differences between my face bead/pendant and the one shown in Salmony's book.

1. My pendant is pierced at one end only while Salmony's is pierced at both ends.

2. My pendant is flat with identical carvings on both sides while the book example has a plain concave back.

3. The carving on my pendant is less stylised and dramatic than the book example.

Bearing all these differences in mind can my face pendant claim relationship and similar vintage, ie middle Zhou around 1027-771 BC ? Well, vintage considerations aside, it is still a real neat bead/pendant that intrigues.

And so my inscrutable "tygers" were you shaped by some "immortal hand or eye"? :))


 Update 2019 : A similar shape ornament/face pendant posted on Freer and Sackler Museums website

Utilitarian but beautiful....

The Chinese made jadeworks not only for decorative or ornamental purposes. They also made utilitarian objects with jade such as the two beautiful white jade earpicks I show below:



The longer one on the left has floral carvings while the shorter one has one end decorated with a bee motiff. Both have a well shaped scoop end for the earpicking function. They are likely to be from the Ming-Qing period.

According to some sources, earpicks serve dual functions that is they can be used as headpin cum earpick. So I guess ancient ladies stuck these elegant earpicks on to their equally elegant hairbuns or coiffure and when they need to, they would just tweak it off and clean their ears. Doesn't sound so ladylike to me and surprising for those distant times when ladies were delicate beings who moved around with bound feet. But perhaps they only did their ear cleansing rituals in their private chambers ?

IMPO, the scoop of the shorter earpick seems a tad large for putting into the ear. It would surely cause some damage, I would hestitate to put it into my ear ! So, perhaps its really just a beautiful ornament.

Or is it for scooping snuff ? But did ladies use snuff.....these ornaments look feminine to me ....

Beautiful Hands

These beautiful jade hands are sometimes known as Fut Sow (Buddha Hands). I got them at a closing down sale. They are kind of newish (10-20 years) and I would not normally buy such stuff. But as the boss was clearing lock stock and barrel I thought they look kinda appealing and affordable.





For fengshui followers, Buddha hand is said to give people a strong support and ward off bad energy.

The smallest hand on the right is holding a piece of flat jade as well as a tiny bead clutched between thumb and forefinger. Now what can this be symbolic of, I wonder.

Conversation with Eggheads, er, Beadheads...

I call this composition 2 under the Crystal Tree.

These two sweet old beadheads are chit chatting under a crystal tree. One said "I am just a SWEET old bead" "Well better than a FAKE one " retorted the other. Words of oriental wisdom ? No just Murikami-style conversation amongst beadheads. Hehehe !!

Blue and yellow beadheads from China and Vietnam. Drawing on wood beads courtesy of S.

Amazing Faces of Zhulong

My talented friend Maddy designed this lovely necklace featuring a crystal zhulong as a centrepiece. She allowed me to take this picture to post on my blog for all zhulong admirers/fans. We put our heads together but still could not figure out the exact vintage of this particular piece. We just know that its a little old but definitely NOT as old as Hongshan. The supporting beads of turquoise, amber and coral give this necklace a Tibetan cast as these are the stone colors most often seen on Tibetan jewellery.

Here's a closeup :

With so much zhulongmania around, I too have finally gotten hold of a FAKE crystal zhulong, shown below. Wa, it sure looks ferocious and wild compared to Maddy's more genteel piece. I have a very bad eye that always sees wrong things, here I am about to make another strange sighting. Surely the zhulong shown here is looking like someone's grandma !! It brings to mind the famous exclamation, "... goodness, what big eyes you have grandma ?".... Hmmm, so is this a pig, a dragon or a grandma :)))

Apologies to the true and original zhulong which is a rare work of art. What I am really hoping, is that one day I will have the chance to hold it in the palms of my hands.

A Rainbow in the Sky

My heart leaps up when I behold
A rainbow in the sky:
So was it when my life began;
So is it now I am a man;
So be it when I shall grow old,
Or let me die!
The Child is father of the Man;
And I could wish my days to be
Bound each to each by natural piety. by william wordsworth.

Thanks A. for sending me this Rainbow of Hope It is indeed a beautiful work of nature and I am glad to use it to mark new beginings and old endings to my blog. Thanks too to WW for this unforgettable verse to lighten up my quiet Musings.

Look out for more frolic with jade, manao, crystal, turquoise. glass, braids, knots, beads, hairpins, animals and other little wonders.........

White Jade Square

This flat white jade square with 4 holes was purchased on one of my China trips. This piece may have formed part of a jade belt or it could be a Pei. A jade pei is a pendant used in ancient times as a decorative ornament , stitched with silk threads to other items to form a belt or chateline.

The color is greyish white with low relief carving showing a pattern of interlocking long "S" scrolls and short "C" scrolls and the same pattern is repeated on both sides. There are small patches of white calcification on the surface and this whitening appears on both sides which maybe evidence of antiquity.These aging marks make me optimistic(though not postive) that my jade square may at least be Ming if not Han.

Using snake knots and Pyu green glass beads, I converted this last ramnant of an ancient jade belt or pei into a unique pendant necklace with a long history.

Spring and Autumn Necklace

I purchased these 3 long cylindrical crystal beads from China. The seller had said Spring and Autumn period (771-476 BC) which makes them 2773 years old. From my experience Chinese sellers like to attribute anything crystal to either Spring and Autumn or Warring States Period and sometimes Liao Dynasty. I dont know the real reason for this penchant but my guess is that there must have been many excavations of crystal beads and artefacts from tombs of these periods.

Incidentally, I have also come across a magazine article in Cultulral relics world no6, 2007 featuring excavations from Zhejiang Province which showed a whole pile of crystal cylinder-shaped beads which were provenanced to Spring and Autumn - Warring State period. So based on this flimsy evidence the date for my long crystal beads may be considered acceptable ? Sound like a 1/2 past six theory, even to my own ears, but this is the best case I can make out for it :))

The beads measure from 3.5-4 cm, are drilled from both sides and drill marks are evident in the perforations. The shape is simple and elegant and the surface is quite pristine without much weathering except at the ends.



There is something about ancient crystals which make me go gaga, although I am not really into new age beliefs, I guess they do have some kind of attractive energy. My knotting fervor has by no means abated and so I worked out this design of button and roll knots incorporating one of the long crystal bead in the centre flanked by smaller white ancient glass beads from Vietnam.


O well, genuine or not Spring & Autumn Necklace is a lovely name for my long crystal bead necklace. It feels very special and I shall have joy wearing it.

Welcome to the Lunar New Year of the Bull er, OX

O that the year of the Ox will usher in a mad Bull run ! It seems appropriate for me to post here my bull seals. Lest I be accused of being off-topic as I have self declared this blog to be about jade and beads, I must quickly add that in bead terminology a seal is also bead related especially bead seals.

The seals I show below are made of crystal and were purchased in Cambodia.

The first bull seal above is dome shaped with two holes drilled at the top for stringing and was probably used as a pendant or amulet.

The next 3 seals also depict bulls but are flat and without holes.

I have come across seals like these in the ACM (Asian Civilisation Museum) According to the writeup given on the ACM display, Khmer crystals have been discovered at sites along the Mekong Delta. It goes on to say that the engraved crystals "probably served as seals or stamping dies and clay impressions taken from the seals may have been used as offerings as they have been found under boundary stones and the foundations of temples."

The engraving on my seals are beautiful and I sure hope they are authentic Khmer period seals related to those described in the ACM exhibit.

On page 124 of Ornaments from the Past: Bead Studies after Beck there is also a picture of an intaglio of a bull attributed to Indian origin which is somewhat similar to my above seals.

Here is a plasticine impression of my crystal bull seals :


While the first bull looks like it could "charge" the remaining three bulls are more like "sitting bulls", very mild and docile. I have seen sculptures of such peaceful bulls in temple grounds of the Angkor ruins.

The color for Lunar New Year is red and it would be unseemly for me to post only white crystal seals . Actually white is taboo for tne New Year, so I'd better not defy tradition. Lucky I got a brown colored one in my set of bull seals. I think maybe this stone is jasper.



The reds and golds in the following pic will give a more auspicious welcome to the OX, Bull, Oxen, Cow, what's in a name anyway so long as we can say Gongxi Facai, Nian Nian you ZHU, er, Every Year Have BEADS :-)))


And to conclude my Ox and Bull Story here are some real Water Buffaloes from my old home town, many moons ago!!




And as a bonus for me someone kindly planted some cardboard cows on the rolling green behind my home to welcome Year of the Ox 2009, how very considerate !


Mooooooo! And oh dear, many of these cows were subsequently stolen ! Tsk! Tsk!